The Son Dey School of Christ Science

[index][screenplay][music][components][budget][prospectus][roles][casting and crews]

[feature] The story of Jehovah's arrival on Earth with Adam [and Eve] and their life in Adam's Eden kindergarden (choreographed to music) tells a plausible beginning of modern scientifically advancing society, of what actually happened on Earth about 3670 BC, in the middle east.

Although the ultimate owner is the USA 501(c)3 non-profit organization, Son Dey School of Christ Science - project 'lambhorn' - this production shall proceed in project SesQuaTercet as an ordinary movie-making effort: Actors, crews, authorities, shall be paid ordinary rates, and may be ordinary persons not affiliated,-- strict observance of goodly [Godly clean] speech and conduct on the production location-set withstanding. The screenplay herein is presented as a proposal for contract in open-public-view.

The movie shall be available digitally recorded widescreen 2:1 stereo'eyes'ed 4Mpx 30 fps released on 3D-HD-DVD, HDDVideo, standard 35mm film (telecined celluloid), home-theater HDTV/DVD/DTV, VCR etc. (Stereo'eyes'ed 3.5-D is viewable with white sexichrome or polarized safety-goggles; The advantage of digital is its reproducibility for the future of both broadcast and movie-house.) The initial shoot shall be direct to gigabyte hard-drive; wavelet-compressed and copy-saved to DVD+RAM;- the digitized sound and music edited in synchronized frames-fractions of a second. Image generation shall be further enhanced and assisted by state-of-the-art computer facility.

[Music specified in this screenplay is the Strategic Director's selection from hundreds of CD's of existing works by artists whose timbre and lyrics fit each onscreen activity, and is not otherwise representative of projects SesQuaTercet and its purposes or 'lambhorn' Scientific Scriptural exegeses ... the modern classic fanfare steps right into a synthesized balladic collage]

Mr. Raymond Kenneth Petry, independent research scientist, is the author of FUNDAMENTAL CONTROVERSES: Christian Science Class Instruction, taking-up the Holy Biblical Scripture as a synopsis of mankind's Scientific purpose on Earth, (web-published); and as well, Project NEMO advanced-topics science articles base including his 1984 discovery of presolar remnant star core Pluton. A 1973 UCSD graduate, BA, Mathematics Dept., Mr. Petry is a former crypto-Tempest digital electronics engineer with former Linkabit Corp. of San Diego, CA, in digital radio satellite communications systems for the former SAC Command Post. He has also served as Board Of Regents Appointee Lecturer in mathematics at UH Manoa, HI; and Vice President on his prior branch Church Executive Board, Eighth of San Diego; and is Founder and current Trustee-Director of The Son Dey School of Christ Science, the erstwhile project 'lambhorn'; And, since 2001, is President CEO of Lanthus Corporation and Director of its Surrogate Executive Accessions Management, and its new-market PubNatSec and pdqbanking divisions. Mr. Petry writes science docudrama, science-hypercubed, science-scenario, feature screenplays, based on satellite photography, Biblical astronomical fact, correlative scientific Scriptural exegesis, and mathematical induction, in his repertoire at Wision--SesQuaTercet USA productions (registrar; division of Lanthus Corp), where he is also Strategic Director and Principal Screenwriter; He has several more works in research and development.

As profferred Adult.Basic.Educator to the Internet, Mr. Petry acts as liaison to scientific organizations primarily in the cosmo-thematical studies, mankind's common past and connected future, presenting science in an entertaining redacted format.

[Mr. Petry also maintains several websites and posts on usenet news-groups and forums in the mathematics, sciences, technologies, digital electronics and computer engineering, and USA Presidential political-campaigning]

Their sun supernovas; they escape by nuclear-impulsed needle-rockets swing-pumping through giant-planetary and small-stellar gravity-wells, barely outrunning the plasma tempest ... They journey three hundred years [skip], arriving -arbitrarily- at our solar system, de-escape-decelerate similarly around Pluton and Jupiter, and are immediately chased by local rebels mutineed hundreds of years earlier;- their chief of security, whose measures earn her respect but consternation, is exiled with her consular-lineaged son and fetal-daughter for their safety while the battle resumes ... She sets-up home-and-garden, and as the new Earth-Lord, awaits her return to space:- Their adventures are lessons in morality and ethics: she teaches them how to tend all for their betterment ... The garden is eventually destroyed by a flame-spewing earthquake; Her people return to rescue her,- leaving her children to grow up as new-Earthers ... And they return to Venus, their new home. Epilog: 900-year-old thinks-back, Who were we?

1. [package: hors d'oeuvre 'street-parking' music in foyer/lobby example 02:59 Storms in Africa II/Enya]
2. [wrapping: texture 'box-window' music in foyer/lobby example 02:24 Watermark/Enya]
3. [setting: universe 'waiting' music in foyer/lobby example 04:06 Cursum Perficio/Enya]
4. [foreword: music in foyer/lobby example 03:36 The Longships/Enya]
5. [preface: music in foyer/lobby, restrooms, theatre example 04:01 Discovery/Tesh ]
1. [people enter; theatre audience-room dims]
6. [introduction: music in theatre example part 01:29 China Roses/Enya]
1. [title credits, nature-beauties]
2. [second-sight: supernova core collapse]
7. [opening: escape sequence: music example 03:55 I Will Ease the Pain in You/Marquisard]
1. [supernova progression: interstellar rocket leaves sun behind, dust-burn-streaks, neutrino ratchet-blast chaser]
2. [giant-planet gravity swing-pass, nuclear-power acceleration, nova big]
3. [small-star gravity swing-pass, nuclear-power acceleration, nova huge]
4. [exit finale overtaken by supernova plasma white-out]
8. [plateau: music example part 01:44 Under the Sun/Marquisard]
1. [needle-ship rocket cruising, nova looming half-backdrop, pulsar inside, stellar half-backdrop]
2. [interior general crew activity introduction]
3. [last window-view, observation-deck: looming supernova remnant, pulsar flashing; music quit]
9. [develop: computer-view inside ship: computer sounds, no music]
1. [planet development sequence on computer-simulation,Mr. Gabriel narrating-teaching]
2. [computerized class discussion, Adam et al., Mr Gabriel leads]
10. [relief: music example part 02:37 Isle of Her/Marquisard]
1. [Adam's study, bedroom, mother, LT Cmdr. Mrs. Elle Yachovech]
2. [Elle's husband, more ship activities, crew catch-up, planning deceleration trajectory]
3. [scene-switch: solar system rebels' croaker-team suits-up, green heavy-molecular breathing-gas]
4. [file into space-probe, technicians assist, team goo-beds, control panel lights]
5. [hatch shuts dark inside; music quit]
11. [strike: music example full-unto 03:11 Tuamotu/Marquisard]
1. [probe pops away from giant carrier ship]
2. [tests vernier controls: spins, shifts]
3. [full thrust accelerates away, needle-ship from Jupiter backside decelerating tail-forward]
4. [interior needle-ship: warnings: NONBALLISTIC/PARALLEL/CONVERGENT/ETA100/EVASIVE]
5. [probe dives into asteroid field, chases needle-ship, impacts; music quits]
12. [clash: probe penetrates, smoke light hole through front]
1. [croaker team through breach to corridor, one drops from goo-bed]
2. [runs to watcher control room, blows door open, observes other ship parts]
3. [battles ensue with crew in corridors, etc., Elle's husband blown-away in corridor]
4. [battle ends at door to children's room, blasts through door, Adam near-struck]
13. [debrief: ship sounds, no music]
1. [discuss probe, Elle's security choices]
2. [prepare to exile Elle, Adam on Earth]
3. [preview Earth landing sites, Mr. Michael, Gabriel]
4. [ready Elle, Adam departing]
14. [reassign: example music 04:14 You Will become Jealous/Marquisard]
1. [shuttle exits to rear, passes probe damage]
2. [shuttle enters atmosphere, plasma streak, also view below, music zoom]
3. [city-fragments reenter overhead onward to distant east, ground splash]
4. [shuttle interior, Elle, Mr. Gabriel command; stars, moon fast-rise]
5. [shuttle hypersonic over Hajez, breaks into morning light, music zoom]
6. [shuttle supersonic across Arabia, follows video-edited Pishon River]
7. [shuttle sonic before four river confluence north of Persian Gulf, music zoom]
8. [shuttle subsonic settles east plain, north-bend of Wadi Batin, music finale]
15. [relief: music example more upto --:-- Isle of Her/Marquisard]
1. [part with Mr. Gabriel, shuttle lifts-off and away]
2. [walk along river, swim, Elle, Adam, fish, berries, discuss day-types, clean-foods]
16. [exile: music example more 00:24 Under the Sun/Marquisard]
1. [meteors of broken ship debris entry into atmosphere, Elle winces, softly prays]
2. [press-on up-stream westward]
17. [respite: desert-nature sounds, no music]
1. [reach oasis, date-palms, fruit-trees, cat]
2. [dinner fire over brush, fish, berries]
3. [evening bed-down, matted palm-fronds]
18. [recess: music example part 00:45 Exquisite Marquise/Marquisard]
1. [dream-collage reminisces spacer battle]
2. [man-on-mudbank mid-river prophesies 'three-and-a-half-times', white robe, golden girdle]
3. [Elle wakes breathing hard: 'labor-pains']
19. [resource: oasis at the river, discover oil oozing, find garden on other side]
20. [rekindle: 'wolf-scene' music example part 00:14 upto 01:00~ The Sun in the Stream/Enya]
1. [hungry wolf stalks Adam tending the garden, Elle long-poles wolf]
2. [Elle drags wolf toward river, finds wolf-cubs, drops wolf, cubs suckle]
3. [Elle sobs; music enhances sobs]
4. [Elle returns, presents four cubs to Adam]
5. [Elle in wolf-skin clothes henceforth, explains coming sister in belly]
21. [apprehend: music example part 01:26~ The Atoll/Marquisard]
1. [dream fantasy: slim Elle swimming in pool, top-of-the-world]
2. [walks up pool-slope out of water, takes sheer robe from bush to face, dons]
3. [walks with breeze, sun on back to ledge, looks far-out, hair tossed-forward]
4. [convulsive anguish 'labor-pains'; music peaks, music quits-melts]
22. [cognize: replay and further music example more part 02:46~ Exquisite Marquise/Marquisard]
1. [dream-collage reminisces spacer battle]
2. [man-on-mudbank mid-river prophesies 'three-and-a-half-times', white robe, golden girdle]
3. [dream persists: fixates on man-on-mudbank in breeze]
4. [two others on shores: staunch muscle-heavy guards, one fore-looking, one back-looking]
5. [Elle breathing harder: 'labor-pains'; music at clash quits-melts to infant Eve crying]
6. [suckles Eve in dark, consoles Adam, "was working hard", promises to show in the morning]
23. [story: 6 years later: Adam 8, Eve 6]
1. [lessons: Adam tending garden trees, Eve playing with Adam's toys]
2. [Eve tending Adam's animals]
3. [cooking lessons for Eve, etc.]
24. [portent: music example 03:02 Aldebaran/Enya]
1. [Adam espies supernova, Elle discusses space travelers, Eve asks about 'billions']
25. [fancy: 6 years later: music example 01:59 or 03:00 Fairytale/Enya]
1. [Eve 12, Adam 14, bush-hidden: discuss talking snakes, fruit-tree-tending, clothes, strangers]
2. [Elle finds, questions snake-story, forbidden 'control' fruit]
26. [cleave: music example 04:52 Pax Deorum/Enya]
1. [earthquake: ground sways, Elle calls-out for Adam, Eve]
2. [Elle runs, trees fall, ground heaves, splits, out-gasses]
3. [rift out-runs Elle , outgasses, flames; Adam, Eve on other side]
4. [Eve wails , Elle orders Adam, Eve hold hands, run northward; Eve 'mother' now; music lull]
5. [music resumes; Adam, Eve sprint north, trees fall, ground heaves, sways, splits, outgasses]
6. [giant sky-flame blow-out; music clash]
7. [Adam, Eve run on]
27. [reassess: music example part upto 01:56~ The Memory of Trees/Enya]
1. [Elle appraises garden destroyed, sheep/goat crushed, pets gone, possessions tossed, broken]
2. [Elle's thoughts are squelched by the approach of a band of four noisy merchant-men]
3. [they converse coarsely with Elle, Elle tries to assuage their complaints]
4. [they challenge Elle's wearing 'watcher' necklace]
28. [reconsider: music example part 01:21 To Go Beyond (2)/Enya]
1. [Elle at water-edge, rends clothes, weeps, tries to self-rouse: wipes water down face, tries twice]
2. [slumps down to sit]
29. [return: music example part 02:09 I Want Tomorrow/Enya, three-phased]
1. [Elle sits slumped at water-edge, camera pulls-back slowly between leg-pillars; music first phase]
2. [narrative voice recounts high honors for LT CMDR Mrs. Elle Yachovech; music paused]
3. [Elle remains sitting slumped, camera rises slowly between dressed bodies; music second phase]
4. [narration depicts Elle identification, officer voice interrupts-notes second 'watcher' found; music paused]
5. [Elle Shrieks, rolls-away into water, looks-up, recognizes Mr. Michael, camera clears; music paused]
6. [Elle runs-up to Mr. Michael, tearily stops, finger-touches, hugs-cries; music third phase finishes]
7. [debrief, discuss return to spacer-duty, officer communicates imminent ground upheaval]
30. [restore: music example 02:52 The Celts/Enya]
1. [Mr. Michael, Elle stroll up-shore toward new 'saucer' shuttle, officers load equipments]
2. [officer brings Elle spacer-undersuit, Mr. Michael adjusts collars: arms, legs]
3. [all enter shuttle, door shuts; music concludes]
31. [exult: music example stretch part 04:12~ On My Way Home/Enya, stretched roll]
1. [shuttle top-center engines pour out-down foggy wind-blast]
2. [shuttles lifts-off, skims across-over trees, finds Adam, Eve walking; music roll stretching]
3. [Adam, Eve surprised by craft, chilling wind, Eve sees 'mommy' where her reflection looks-back]
4. [Eve calls-out, Adam tests-shoves craft]
5. [interior, Elle declares Adam, Eve 'Earthers', shuttle rises up trees]
6. [view-down leaves Adam, Eve, ground-flames receding;music resumes rate]
7. [large view lifts, looks across Eden, moon rising]
8. [shuttle accelerating steep-up, luminous collar, aero-spike exhaust column]
9. [shuttle near-horizontal, exhaust-wide-plumes, black-space, star background]
10. [carrier ship approaches from rear, shuttle slows toward, behind carrier-ship]
11. [carrier-ship opens central core, shuttle verniers-repositions; music lull]
12. [shuttle verniers forward into carrier; music resumes]
13. [shuttle interior: Elle elated, shuttle rises through carrier column, docks on conveyor-platform]
32. [perceive: music example part 00:55 Shepherd Moons/Enya]
1. [view from rear: carrier-core closes, four main booster-thrusters glow red, white]
2. [carrier recedes, veers upward toward red lunar eclipse]
33. [explain: music example 02:51 Book of Days/Enya]
1. [scroll millennial calendar, Jesus, GENESIS, Science to end of Bible prophecy AD2333]
34. [secrete: music example 03:47 Evacuee/Enya]
1. [narrate: 900 years later: Adam in cave ponders Elle, Elle's people, Eve, eats, passes]
35. [summary: music example 04:12 My Bitter Island/Marquisard]
1. [view rises to heavens: fireball wanders across sky]
2. [credit roll, star backdrop, Venus approach, atmosphere entrance white-out, audience-room lights]
36. [postlude: music in theatre example 02:04 Lothlorien/Enya or 03:21/Taliesin-Sayre/Enya]
1. [people exit: theatre audience-room lights on]
37. [bookcase: 'lingering' complementary music in foyer/lobby example 03:49 The Celts/Taliesin-Sayre/Enya]
38. [afterthought: reality 'sidewalk' music in foyer/lobby example 04:05 Afer Ventus/Enya]

digital music [var] © [tbd] - timing totals below are estimated for auditorium lights-out, not including social hors d'oeuvres:

• (4:01) Discovery/Tesh © 1996 GTSP Records, Polygram
• (31:39+) Enya
• Watermark/Enya © 1988 WEA Records LTD [Reprise Records]
• The Memory of Trees/Enya © 1995 Warner Music UK LTD [Reprise Records]
• The Celts/Enya © 1992 Warner Music UK LTD [Reprise Records]
• Shepherd Moons/Enya © 1991 Warner Music UK LTD [Reprise Records]
• (25:14+) Sultry Beat of the Pacific/Marquisard © 1996 Hula Records International © 1995 Oceane Productions
• (3:49) Orinoco Flow [symphonic Enya]/Taliesin-Sayre © 1996 Intersound

Screenwriter: Raymond Kenneth Petry
Strategic Director: Mr. Raymond Kenneth Petry, Director, SesQuaTercet
Registrar: Wision--SesQuaTercet USA (division of Lanthus Corporation, DE US)
Recipient: The Son Dey School of Christ Science - project 'lambhorn'
Registered Owner: Lanthus Surrogate Executive Accessions Management

The teachings hereïn are not secularized nor classified: Sunday School pupils, Primary Class students, Normal Class graduates, scholars, researchers, astronomers, scientists, governments, find this coursework timely, modern, global, historical, democratic. The syllabus is the ALMS Program: Astronomics, Linguistics, Mathematics, Systematics: Scientific inferentiation on Holy Biblical Scripture: What actually happened.

FUNDAMENTAL CONTROVERSES: Christian Science Class Instruction * RKPetry

The theory of measurement propounded in this work is not to be cited (as) considering contraband or corpses; Nor are the intellectual appurtenances hereïn to be used for or in the commission of crimes against persons, peoples, properties, or powers (States). May your tabernacle measure true.

COPYRIGHT: BASIC LIBRARY RULES: NONTRANSFERABLE: READ QUIETLY

CHARGES FOR OTHER USES:
• $1 per copy: impression, reproduction, translation, implementation,

or systematic, paraphrase, depiction, evaluation, comparison;
• plus additional media costs, less efficiency discounts;
• unauthorized use, treble standard;
• final charges greater or lesser per U.S.A. Copyright Law,

regarding fair-use/citation and second-source/mirror-site.

© 1996-2006 Mr. Raymond Kenneth Petry, Trustee-liaison, The Son Dey School of Christ Science, a USA 501(c)3 nonprofit organization
© 1996-2006 Mr. Raymond Kenneth Petry, Strategic Director

project SesQuatercet